Story | Leslie Yip
Growing up in Hong Kong, my idea of Cadillac was shaped less by personal experience than by pop-cultural imagination. I pictured the pink ones in Florida, the kind of flamboyant, almost Barbie-like cars that seemed to belong to a world of palm trees, sunshine and unapologetic American excess. I also knew the phrase “the Cadillac of something,” meaning the very best of its kind. Yet for most of my life, Cadillac remained an idea rather than something I had the chance to truly understand.
That changed this year.

With Cadillac stepping onto the global stage of Formula 1, I was given the opportunity to discover the brand as it is today. What surprised me most was not simply how much Cadillac has changed, but how quietly the transformation has been taking place. F1 may be the moment the world is paying attention, but the reinvention has been unfolding for years through design, technology and performance.


In Canada, that shift is already visible. Cadillac has become the country’s No. 1 luxury EV brand, with OPTIQ, LYRIQ and VISTIQ holding the top three positions in luxury EV sales. For a marque once associated with tailfins and Hollywood glamour, the future now arrives through sleek electric SUVs, intuitive digital interfaces and a new kind of quiet confidence.
I experienced that confidence first-hand at Cadillac’s technology headquarters in Markham, where we were introduced to the brand’s work in sound, software and cabin experience. The demonstration that stayed with me most was the Dolby Atmos audio system. Compared to a conventional car sound system, the difference felt almost like watching a movie on VCD and then suddenly seeing it again in 4K UHD. The music did not simply play from speakers; it seemed to move through the cabin, surrounding you with depth, direction and emotion. It was less about volume than atmosphere.

That attention to sensation continues in the design details. Cadillac interiors today are refined without being fussy. The leatherwork feels precise and carefully considered. Door panels feature delicate laser-cut patterns that allow ambient lighting to glow through, creating a mood that feels architectural rather than decorative. Everything is designed to make the experience feel elevated, but not overdone.

For those who want the most personal expression of the brand, there is CELESTIQ, Cadillac’s hand-built, custom-commissioned ultra-luxury EV. At a private car club in Montreal, I saw two examples that could not have been more different. One felt dark, sleek and dramatic; the other, lighter and more expressive. They were proof that personalization, when done properly, is not simply about choosing colours and trims. It becomes closer to commissioning a piece of design. The same model can reflect entirely different personalities.


This is where Cadillac’s arrival in Formula 1 begins to make sense. It is not merely a branding exercise. F1 is where design, engineering, software, simulation and performance are pushed to extremes, and the sport has never been more global, more stylish or more closely watched by luxury consumers who care about innovation and design. Montreal, one of F1’s great race weekends, is also one of Cadillac’s fast-growing EV markets. For Cadillac, racing heritage and electric leadership meet in one place.
What I discovered is that the new Cadillac is not trying to abandon its past. It is refining the meaning of American luxury for a new era. The glamour is still there, but it is no longer only about size or spectacle. It is in the silence of an electric drive, the precision of a stitched seam, the glow of ambient light, the intelligence of software and the emotional pull of sound.

For me, Cadillac is no longer just a nostalgic image from childhood or a phrase meaning “the best.” It is a brand I finally had the chance to experience — and one that feels ready to define luxury again, on the road and on the world stage.
