It was under the sign of Jean Cocteau that Virginie Viard began to think about the CHANEL Cruise 2021/22 collection: “Because Gabrielle Chanel was close to Cocteau, and I love the film Testament of Orpheus. In particular this magnificent scene: a man with a black horse’s head descends into the Carrières de Lumières, his silhouette cut out against the very white walls”. Destination: the Carrières de Lumières, in Les Baux-de-Provence, for a highly graphic show, “because the simplicity, the precision and the poetry of Cocteau’s film made me want to create a very clean collection, with a very distinct two-tone, made up of bright white and deep black”.
