Dior Autumn-Winter 2024-2025 Haute Couture by Maria Grazia Chiuri celebrates the body in motion, tracing a line from ancient Greece through the 20s to the present day. Reproductions of Faith Ringgold artworks were realized by the Chanakya ateliers and School of Craft for the set.
Haute couture is created on the body. On this singular space and veritable area of reflection, it stages a choreography that is unique each time. The arrival in Paris of the Games – the sacred embodiment of competition – incited Maria Grazia Chiuri to pay a fitting tribute to all athletes whom, from antiquity to the present day, have overcome prejudice and obstacles to ensure a level playing field in sports contests. She thus returns to the primary, fundamental essence of the garment she holds so dear: the peplum, both supple and absolute. The Dior haute couture autumn-winter 2024-2025 line comes to life against a backdrop of hard-won political freedom for women’s bodies. Indeed, the Creative Director decided to use a material that didn’t belong to the world of couture: jersey, proposed here as a metal mesh in gold, silver and white, which caresses the silhouette and embraces its shape, with the help of an ultralight inner bustier structuring the outfits.
Making a comeback in many pieces in this collection, pleats are sewn down or open to accompany movement. Draping, a visual reference to classical statuary, is prevalent on the catwalk in silk dresses magnified by embroidery, moiré jacquard skirts transformed by time, ensembles where the draped skirt reveals a pair of pants at each step, and the goddess dresses, which, hanging from one shoulder, unveil transparent metallic tank tops trimmed in satin. In the vein of a couture model, a sports jersey is adorned with gold leaves or micro sequins. Red, the “color of life” according to Christian Dior, sublimates the show; the bathrobe, embellished with mosaic mirrors, chooses to disobey its function.
